In addition to the kitsch of the white finish (which usually fades to an appealing cream or butter-yellow over the years), this regal six-string sports multi-ply gold-sparkle binding and truss-rod cover, gold hardware with an elaborate G-and-chevron trapeze tailpiece and Grover Imperial tuners, a gold back-painted pickguard with falcon graphic, and faux rubies inlaid into its control knobs. Put another way, you don’t choose a guitar like this simply because you like its sound you have to be prepared to embrace the bling, too. More than all of these construction and sonic elements, though, it’s the overt esthetics that help the White Falcon make its considerable statement on any stage. The White Falcon stunned the crowds as the spotlights glimmered over its 24-karat gold finishes and gold sparkle bindings from Gretsch’s drum branch. The glued-in, multi-piece maple neck wore an ebony fretboard, and by this time Gretsch was using the zero fret, which helps distinguish the company’s ’60s-era guitars. As such, the tone is predominantly bright and clear through the low-output Filter’Trons, but also full, round and just a little edgy with some grit dialed in at the amplifier. Similar to other hollow Gretsch models, its body was made from laminated maple, with parallel tone bars (a fancy term for braces) supporting the pressed-arch top. However, once you acquire that taste, you will find no substitute for them.(Image credit: PHOTO COURTESY OF OUTLINE PRESS) Gretsch guitars are very unique, rather quirky and they are definitely an acquired taste. Add to that its vintage-voiced TV Jones T'Armond single-coil pickups, and you have a recipe for classic Gretsch sound. This guitar delivers an unforgettable snap, thanks to its arched maple body. However, if you can find an Electromatic at the right price and upgrade the hardware and electronics, you can have a killer guitar at a fraction of its Japanese or American siblings' cost. The Gretsch G6136-55GE Vintage Select 1955 White Falcon hollowbody electric guitar embodies the genius of famed guitarist Jimmie Webster. The electronics and hardware on the Electromatics are just OK. They also don't adhere to the vintage construction methods and measurements. The fretwork is surprisingly very well done for a less expensive guitar but, you can see flaws in the finish and a general lack of attention to cosmetic details compared to the Japanese and even more expensive American Custom Shop offerings. The 59GE is better suited for more modern tones. The 55GE being more of a jazz, early 50s rock machine. The guitar sounds huge, no doubt due to its larger body. However, if you want to rock, you want the 59GE which comes with Filtertrons and a Bigsby. I LOVE the T-Armond pickups in this model for clean and slightly driven tones. Best replace it with an aftermarket bar bridge and a better bridge base. It is rough on your resting hand and sounds like caca to my ears. Factory Custom THE WHITE FALCON 6120 Semi Hollow Body Jazz Tuners Electric Guitar With Tremolo 20 falcon gretsch falcon electric guitar guitar bigsby. The Synchro-Sonic bridge is not a great option. The mods are typically upgraded electronics, pinned bridges and TV Jones pickups. Gretsch Vintage Selects remain true to the construction of the originals with a few added mods that most players do. He opted for a 6136-55GE which is the Vintage Select 55 model. I can also confirm this with the Japanese made Gretsch guitars I have owned. However, his descriptions are usually spot on. He has owned a 6120 and has played my 6120, 5420 and Jet. A friend of mine just bought one at a ridiculously low price from a holiday sale at an Internet shop.
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